Clark Gable inhabited masculinity so purely and originally from the 1930s on that he came to represent the quintessential leading man, earning himself the title “King of Hollywood.” Even today, stars don’t come any bigger than Gable. But what transformed this awkward former tire factory worker into the dynamic presence that appealed to both men and women?
For a start, he had rugged good looks the camera loved, along with the entire female population. But men could also admire his dry sense of humor, his casual way with the ladies, and the sense of an innate, and unshakable, moral code. He hunted and fished, repaired cars, and ranched; he could also wear the hell out of a pinstriped suit.
But Gable’s looks and image were the result of years of refinement, which included developing his voice (which was naturally quite high) and fixing his teeth. Not only that, but in younger days, he had ears that stuck out, poor posture, and a generally undernourished look to him. All this had to be addressed if the young, Ohio-born William Clark Gable was to have any shot at stardom. Thankfully, it was, and he did.
Once his features coalesced into the handsome face we know as Gable’s, his career began to jell too. Thanks to an early sizzling turn on-screen with Jean Harlow in “Red Dust” (1932), Gable quickly became the most bankable name on the MGM roster, and 1934’s “It Happened One Night” won him a Best Actor Oscar. The next year: another Oscar nod for the classic “Mutiny On The Bounty.” Now firmly established as the film industry’s “King,” he reigned for the rest of the thirties in a variety of high-profile roles.

And then came Rhett Butler, the iconic hero of “Gone With the Wind” (1939). Though he did not win the Oscar for this, he was nominated, and this would always be his signature role. Not to say he slowed down, even after losing the love of his life, actress Carole Lombard, in an airplane crash in 1942. His career extended right up to his death from a heart attack in 1960, with such later outings as “Command Decision” (1949), “Run Silent, Run Deep” (1958), and “The Misfits” (1960) to his credit.
We appreciate Clark Gable because he was — and remains — a classic. Even now, his presence charges the cinematic atmosphere with a special brand of electricity. If you have forgotten just how magnetic Gable’s star power really was, let these pictures remind you.

Hail to the King!

The boy from Ohio, before the trademark mustache and bespoke shirts.

Dapper up-and-comer, with established star Norma Shearer.

Make no mistake: this guy means business.

 Yes, he was a real lady-killer, and no wonder.

Clark gives Joan Crawford the look: they had real chemistry, on- and off-screen.

Before “It Happened One Night,” it happened one afternoon, during rehearsal. Neither Clark nor Claudette Colbert wanted to do the picture; both won Oscars.

Tough, sure- but with plenty of style thrown in.

Cheek to cheek with Claudette Colbert, 1934, on that picture that defied all expectations- including their own.

Getting on Gable’s good side: the young star in profile.

Guy and dolls.

Here’s looking at you, kid. On the set of “Mutiny on the Bounty” (1935).

At heart, a man's man.

OK, so it's bad for my health. What of it?

Two thoroughbred champions take a ride.

Gable as we remember him, with that mustache we love and those locks of hair that won’t stay put.

Ranch hands: with his beloved third wife, Carole Lombard.

Why, Rhett, I do declare! Gable between takes on the “Gone With the Wind” set.

Gable refused at first to read the novel that led to perhaps his greatest role. He finished it eventually.

In “Comrade X” (1940), with co-star Hedy Lamarr. They made a handsome couple.

Pipe dream: Gable lights up.

Reel life: Gable with the most important tool of his trade. Still, he did better in front of the camera.

A purr-fect couple. Gable and Lombard, one of Hollywood’s great love stories.

We miss hats. Particularly on men like him.

Defying his studio's wishes, Gable served in the air force during WWII — where an actor who'd made few “bombs” dropped some of the real kind.

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