"794"

As producer/director Roger Corman once told me, movies are a kind of alchemy, an outcome of many complex elements. Bad movies can be forged from wrongheaded decisions, great ones can often be attributed to … plain dumb luck. The resulting concoction is all that counts. Of course, when you watch an amazing performance in a great film, it’s hard to envision how it could have been done any other way. Casting is crucial because most often we associate movies with the actors that star in them. But consider how differently a movie might have turned out if an alternate choice had been made. Just a tiny shift in the recipe can make a world of difference.  Here then is a list of 9 actual “what might have been” casting choices from some of our favorite films that prove my point. 

Summer is vacation season. This year, let’s presume you’ve set your sights on going abroad. First you take a deep breath and buy the plane tickets. Ouch — they’re pretty steep, an unpleasant fact explained by two little words: “peak season.”

What happens after an actor or actress wins an Academy Award?   The assumption is that the performer’s career skyrockets. Offers come pouring in. The thespian’s price tag certainly rises. What had been the usual “on-and-off” career of the struggling working actor suddenly gets a lot more hectic; members of the paparazzi who may not have known him or her from Adam (or Eve) are suddenly camped out on their doorstep.  This is what often occurs when one of these statuettes ends up in your hands. But not always. 

 One of the major pleasures and sources of eye candy the movies provide are fantasy spaces of which dreams are made. For anyone who lives for their monthly issue of Dwell, or who forwards photo compilations of delicious décor, on-screen interiors offer a form of fun several notches up from catalogue shopping.  Whether these movies were shot on sound stages, or on existing locations dressed up for their close-up, they perform the task of drawing us into the world of the story, and making us forget about the tedious limitations of reality. If you could choose any movie interior to move into, which one would it be? 

It always irked Gene Kelly that dancing was considered an effeminate activity for men. When his mother first enrolled him and his brother in dance classes when Gene was still a boy, he had to endure taunts from his classmates which he promptly settled with his fists.

I can vividly recall the first moment I saw Meryl Streep on-screen. The film was “The Deer Hunter” (1978). Her part was relatively small — she played the stateside love interest of two men shipped off to Vietnam — but I was immediately struck by her presence. 

The best movies are a breed apart – exceedingly rare, and born of compelling human stories well told. A superb drama has the power to change how we see the world, while a first-rate comedy can provide sublime entertainment that nourishes both brain and spirit. Today, too many exceptional films are hiding in plain sight, obscured by big commercial titles that may divert us in the moment, but offer little lasting impact, insight or enjoyment.