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Cheap knockoffs are usually pretty easy to spot in real life. Buying a purse for my wife once in Chinatown, I asked, “is this a REAL Coach bag?” The vendor produced a hot glue gun and a Coach emblem and said, “It will be when you buy it.”  This kind of thing shouldn’t surprise us — in movies, it happens all the time. For those who don’t already know, Hollywood’s unspoken mantra is: “If it works, buy it or steal it!” This means that studios pilfer from successful foreign films all the time, and have for years. After all, as more than one sage has noted, there are no new stories, only new ways to tell them... Sometimes it’s just plotlines that get recycled. Example: observe how certain scenes in Akira Kurosawa’s “The Hidden Fortress” (1958) resemble a little movie called “Star Wars: Episode IV: A New Hope” (1977).

James Brown, the "Godfather of Soul," will finally get his due in director Tate Taylor’s "Get On Up," out this week some 12 years after Brian Grazer (who co-produced it with Mick Jagger) first tried to get the project off the ground.   Early reviews champion star Chadwick Boseman’s kinetic performance as "The Hardest Working Man in Show Business." Congrats, Chadwick: those are very big (and very active) shoes to fill. This is just the latest addition to a treasure trove of music biopics that have made some serious box office noise over the decades. Below are ten that deserve a debut or encore performance on your home screen. Pick one, and give your eyes and ears a treat.  

Summer is vacation season. This year, let’s presume you’ve set your sights on going abroad. First you take a deep breath and buy the plane tickets. Ouch — they’re pretty steep, an unpleasant fact explained by two little words: “peak season.”

When birthday time rolls around for the good ol’ U. S. of A, tradition dictates we set something alight and watch it go boom. Useful tip: just make sure the thing that explodes has left your hand in time; don’t dampen the festivities by losing a digit (or two). And if you really want to play it safe, eschew launching those rockets yourself, and get your fireworks on film instead.

Part of the thrill of film is the costumes that dress up the screen. But there's a clear distinction between standard costume pictures where clothes simply help evoke a period, and those indelible outings in which great clothes not only draw our eye to their design, but also inform character.  It is, in fact, more accurate to say “wardrobe” than costumes, and, as with our own wardrobes, there are standouts that we return to again and again. These are pieces that are stars in their own right: Edith Head’s dresses for Grace Kelly in “Rear Window”; Cecil Beaton’s black and white dress for Audrey Hepburn, worn to Ascot in “My Fair Lady”; Lauren Bacall’s check suit in “The Big Sleep”; and countless bias-cut crepe gowns, Technicolor satins, wide hats, snug corsets, and acres of rhinestones, beads, and feathers. When paired with crackling dialogue, powerful stories, and flattering cinematography, these signature looks create the models for our own evolution in style.  Why not slip into our own look at some of the movies’ most memorable fashion moments...

Though the solstice is not for a few weeks, Memorial Day weekend was a call to your corner lookout, warning you to hit the bricks ‘cause the heat is just around the corner. Yes, summer is coming for every good movie-loving, grill-stoking, sparkler-waving, processed cheese covered totcho-eating American (totchos are like nachos, with tater-tots instead of chips… yes, these exist, and they’re good for you!). This also means that blockbuster Hollywood hits explode into theaters like sling-shot water balloons, and this year is no exception with “Spiderman 2”, “Godzilla”, and the new “X-Men” movie having already jumped the summer gun. 

Donald Sutherland has landed a pretty nice gig in the "Hunger Games" franchise. As the ruthless President Snow, with his lion's mane of white hair and fluffy beard, he's the sort of iconic villain that fans of the series love to hate. 

I can vividly recall the first moment I saw Meryl Streep on-screen. The film was “The Deer Hunter” (1978). Her part was relatively small — she played the stateside love interest of two men shipped off to Vietnam — but I was immediately struck by her presence.