"14"

Here we go. The holiday parties are over, and once again those of us in northern climes heave an inward sigh and steel ourselves for four months of cold, snow and ice.

How often we wish we had a crack team of screenwriters scripting our lives, especially when the moment calls for a tart tongue. One of the many pleasures of the movies is that we can watch as others tackle the smack-talk for us, and revel in idealized comedowns delivered with serious relish.

When we think of movie heroes, soldiers always rank high, particularly those on the front lines. Bradley Cooper's Oscar-nominated turn in last year's "American Sniper" is just the latest example. These men face the prospect of death most every day, leading or working with other men to accomplish seemingly impossible objectives.

Countless volumes have been written, and master classes taught, about the art of acting.  To master this highly intuitive craft takes a combination of native talent, discipline and technique. While many of us will witness great performances, few among us will be able to deliver them.

With the gradual passing of opening movie credits, we also lost a vital element that distinguishes many so-called “classic” movies: the original music score, including a heroic, memorable opening theme. What’s the last film you remember that had a score you could hum while walking home from the theater — a piece of music you knew you'd always remember and associate with the film?

Born Eldred Gregory Peck in 1916, San Diego’s most glamorous native son evinced in life the very qualities that made his movie roles icons of strength and integrity.

Lauren Bacall, one of the most alluring leading ladies ever to come out of Hollywood, passed away Tuesday at the age of 89. Though she was best known for playing opposite husband Humphrey Bogart in such classics as “The Big Sleep” (1946) and “Key Largo” (1948), her film career sustained itself long after Bogart was gone. “Written on The Wind” (1956), “Harper” (1966), “Murder on the Orient Express” (1974), and dozens of other films benefited from her uniquely feline presence and husky voice. She was class, sass, humor, and chutzpah all rolled up into one glamorous package. Bacall, a New Yorker born Betty Joan Perske on September 16, 1924, was only nineteen when she made her screen debut opposite Bogie in “To Have and Have Not.” Despite her youth, she held her own opposite an established star more than twice her age. Still, during her first few days on-set, she was so nervous she prayed the camera wouldn't pick up her hands shaking. It didn't.  And of course, she created that film’s most indelible moment when she purred to Bogart, “You know how to whistle, don't you, Steve? You just put your lips together and... blow.” Audiences indeed were blown away. So was Bogie; he and Bacall were married within a year. Their relationship was one of the more storied romances in Hollywood, lasting until Bogart’s death from cancer in 1957.

One of the many lures of the film noir genre is its taut, no nonsense dialogue. There’s no room here for flowery speech, not when the bullets and fists are flying.