Best Movies By Farr Newsletter - October 2008

What's New on DVD

Caramel (2007)

Drama/Foreign/Romance. Moving.
Color. 93 mins. Rated PG. Directed By Nadine Labaki. Starring and Yasmine Al Masri.
In this gentle, slice-of-life drama, Layale (Labaki) is a hair stylist in Beirut, locked into an unsatisfactory affair with a married man that seems to offer no easy solutions. Meanwhile, her employees, Nisrine (Al Masri) and Rima (Moukarzel), are coping with seemingly insoluble problems of their own: Nisrine is about to be married to a man who believes she's a virgin, while Rima is attracted to women but forced to remain mum about it due to social mores. How these striking, colorful women and the eclectic denizens of their shop cope with such life woes forms the basis of this international hit. For her debut feature, Lebanese filmmaker Nadine Labaki deals head on with important issues (religion, gender restrictions, extramarital conflict) in Middle East culture. She also takes the starring role, displaying all the easygoing confidence and natural skill that gives her film such a realistic, unaffected vibe. Great performances from a sparkling nonprofessional cast makes "Caramel" a very sweet treat for lovers of smart women's films.
 

El Cid (1961)

Action/Adventure. Fast-paced/Scenic.
Color. 188 mins. Rated Unrated. Directed By Anthony Mann. Starring Charlton Heston and Sophia Loren.
In this historical epic worthy of Cecil B. DeMille, a disgraced 11th-century Spanish knight Rodrigo Diaz de Bivar (Heston), dubbed El Cid for his progressive sense of justice, earns the king's favor when he vanquishes a hostile challenger in a duel to the death. Now the royal defender, El Cid pursues Chimene (Loren), a gorgeous noblewoman with an ax to grind, and goes on to unite all the warring factions in his home country against Moorish invaders. Director Anthony Mann, known as the king of psychological westerns and hard-boiled noir films, turns his attention to a new film genre and the effort pays off handsomely: the set pieces are stunning, the orchestration of men, horses, and armies dynamic and thrilling to behold. At the heart of this real-life story of love and adventure is the interplay between Heston, always commanding in large-scale heroic roles, and the luxuriant Loren, playing his nemesis and future wife. Shot on location by DP Robert Krasker, "El Cid" has a grandeur equal in every way to its legendary namesake.
 

Innocent Voices (2004)

Drama/Foreign/War/Westerns. Intense/Moving/Spine-tingling.
Color. 110 mins. Rated R. Directed By Luis Mandoki. Starring Carlos Padilla and Leonor Varela.
This stirring, child's-eye glimpse of the Reagan-era war in El Salvador focuses on 11 year- old Chava (Padilla) who will soon be old enough for recruitment into the military. Chava, living with his mother (Varela) and sister, witnesses the danger and brutality of the civil war firsthand, and must come to terms with becoming fodder for the guerrillas—or joining them. Mandoki's poignant story of a frail innocent caught in the crossfire still speaks to us today, when child soldiers are deployed in places like Sudan, Iran, and Southeast Asia. Written by Oscar Torres, and based on his own real-life experiences, "Voices" brings an earnest, almost verité feel to documenting the odyssey of a reluctant combatant, and the conflict that engulfs him in the war zone. There is light at the end of the long day's journey, though; Torres is living proof of that.
 

Kiss of the Spider Woman (1985)

Drama. Brainy/Intense/Moving.
Color. 119 mins. Rated R. Directed By Hector Babenco. Starring William Hurt and Raul Julia.
Based on the novel by Manuel Puig, a flamboyant homosexual Molina (Hurt), imprisoned for seducing a minor, passes the time by telling his new cellmate, macho revolutionary Valentin Arregui (Julia), campy stories that mix fantasy with reality. The differences between the men couldn't be starker, and Valentin has his own tales to spin, but after a time, these strangers are drawn into an odd and dangerously intimate alliance against their captors. Director Babenco's gloriously subversive "Kiss" earned a heap of Oscar nominations in 1985, but it was Hurt who walked away with a statue for his indelible, soulful portrayal of Molina. Set in an unnamed Latin American country where Arregui's insurgency still rages, the film sets up a number of oppositions, between heroism and cowardice, masculinity and femininity, real-world activism and apolitical dreaming, only to explode them all in a final act of role reversal and self-sacrifice. You'll cherish this "Kiss."
 

Persepolis (2007)

Drama/Family/Foreign. Brainy/Witty.
Animated. 95 mins. Rated PG-13. Directed By Marjane Satrapi and Vincent Paronnaud. Starring Chiara Mastroianni and Catherine Deneuve.
Based on her own best-selling graphic novel, Director Satrapi's heartbreaking, semi-autobiographical tale features a rebellious and outspoken 9-year-old girl living in Iran, Marji (Mastroianni) who begins to experience the crushing oppression of living under the Islamic militants theocratic rule in the 1970s. As she grows older, her progressive mother and grandmother attempt to keep her hotheaded, independent streak in check. Out of concern for her safety, Marji's family eventually sends her to boarding school in Austria, where she experiences an even more surprising catharsis: a yearning for home. Voiced by a top international cast, "Persepolis" wowed audiences at Cannes and earned an Oscar nod. This is a masterwork of personal storytelling and political memoir that's neither too brainy nor too culturally distant for Americans to identify with. Marji's difficulty adjusting to life in bourgeois Europe as a misunderstood punk teen will resonate with any high schooler, and her fiercely independent stance against the repressive social codes of Islamic Iran will captivate viewers of any age. "Persepolis" is truly a film to savor.
 

Pete Seeger: The Power of Song (2007)

Documentary/Musicals. Brainy/Tuneful/Wholesome.
Color. 93 mins. Rated PG-13. Directed By Jim Brown. Starring Pete Seeger, Arlo Guthrie, Bruce Springsteen and Joan Baez.
Jim Brown's vibrant tribute to singer-banjoist Seeger, the man responsible for reintroducing America to its folk heritage, is steeped in the social ferment of the 1960s. This is an intimate glimpse of the man, then and now, whose consciousness-raising efforts got him branded a communist by McCarthy's minions. Apart from rousing young audiences with renditions of old, forgotten songs like "We Shall Overcome" and "Turn, Turn, Turn," Seeger was an outspoken activist and people's hero in the affable mold of Woody Guthrie. Through interviews, archival footage, and live performance, this iconoclastic, banjo-playing bard comes to foot-stomping life. Exclusive chats with Bob Dylan, Bruce Springsteen, Joan Baez, and many other notables not only clarify the artistic importance of Seeger's folk-music revivalism but testify to his remarkably gentle and charitable nature. This "Song" will surely lodge in your heart.
 

The Band's Visit (2007)

Comedy/Foreign. Moving/Offbeat.
Color. 87 mins. Rated PG-13. Directed By Eran Kolirin. Starring Roni Elkabetz and Sasson Gabai.
Israeli/Egyptian film both written and directed with assurance by Eran Kolirin features Egypt's Alexandria Police Band, who having hopped the wrong bus, disembarks in a remote Israeli town, far from where they are scheduled to perform the next evening. With no other options, they are taken in for the night by sexy shopkeeper Dina (Gabai), while a somewhat clueless friend whose wife is celebrating her birthday also agrees to shelter a few of the reticent musicians. How each group passes a most unusual night forms the substance of this offbeat, highly affecting feature. This subtle, charming, deeply human film will touch all who see it. At the heart of it all is the platonic yet ultimately abiding connection that develops between Dina and the band's seemingly stiff senior leader, widower Lt. Colonel Zacharya (Elkabetz). Nothing that occurs between these two characters, who would normally never meet, strains credulity, and both performers alternate in stealing their respective scenes. In the mood for a feel-good romp? Make way for "The Band's Visit."
 

The Counterfeiters (2007)

Foreign/War/Westerns. Intense/Spine-tingling.
Color. 99 mins. Rated R. Directed By Stefan Ruzowitsky. Starring Karl Markovics and Devid Streisow.
Based on a book by the real-life Adolf Burger, Russian-born Jew Solomon Sorowitsch (Markovics), an artist and expert forger before the war, is recruited for a top-secret operation by his Nazi captors and shipped off to the Mauthausen camp, where he works with a special team of Jewish counterfeiters including left-leaning perfectionist Adolf Burger (August Diehl). The men enjoy privileges and escape death by assisting the Reich's scheme to destabilize Allied economies, but as the war grinds on, have to confront the impact of their actions. Director Ruzowitsky's tense, tightly coiled drama features an exemplary cast, including Markovics, Diehl, and Devid Streisow as the commandant-turned-SS leader who first nabs Sorowitsch in Berlin. What's most compelling about this Holocaust drama is watching the moral evolution of Markovics's character, a shrewd con man accustomed to the good things in life, even in prison. Nominated for the Best Foreign Film Oscar, "The Counterfeiters" deals with an old theme in war films—the art of self-preservation versus the agony of bad conscience.
 

The Major and the Minor (1942)

Comedy/Romance. Farr-cical/Witty.
Black & White. 101 mins. Rated Unrated. Directed By Billy Wilder. Starring Ray Milland and Ginger Rogers.
With puckish irreverence, Billy Wilder - in his directorial debut - shouldered a potentially dicey subject (a blossoming romance between a soldier and a minor). Big-city office worker Sue Applegate (Rogers), unable to pay for a train ticket, decides to pose as a 12-year-old girl for a reduced fare. On the train, kind Major Kirby (Milland) takes "Sue-Sue" under his wing, but her scheme is in danger of exposure once Kirby's fiancee (Rita Johnson) and her in- the-know 12-year-old sister (Diana Lynn) enter the picture. Also, little Sue's developing a not-so-little crush on the Major .Leave it to legendary director Wilder to turn what could have been a dunderheaded studio comedy into a first-rate howler with satirical overtones lathering it with just enough intelligence, wit and compassion to please Hollywood audiences! Rogers and Milland play their roles with an insouciant innocence, too, under his peerless direction. You'll love "The Major and the Minor," a madcap Lolita story like no other!
 

Theme of the Month: A Tribute to the Life and Work of Paul Newman

Incredibly, younger folks may recognize him more from a bottle of salad dressing than from his awe-inspiring filmography. Some years ago, in partnership with one of his daughters, actor Paul Newman started a highly visible and successful line of food products, including said salad dressing (try the balsamic vinaigrette), brownies, popcorn, and my personal favorite - pink lemonade. He did this not because he wanted to see his face when he went to the grocery store, but because by using his name and likeness to launch a food business, he could donate the after-tax profits to charity.
By the way, his social conscience didn't just begin with the launch of "Newman's Own". In the early sixties, he and his equally talented, committed wife Joanne Woodward were outspoken supporters of the civil rights movement. They knew Dr. King, and were willing to stand up for what was right when it was not the easy or popular thing to do.
And in this cynical age., when the break-up of show business marriages is as routine as catching a cold in winter, the enduring Newman/Woodward union of over forty years gives us a measure of hope about the strength of our basic institutions.
I was lucky enough to meet them both several years back at the opening of their new theatre at the Westport Playhouse, where I moderated an evening with them and their daughter Nell around a screening of "The Effect Of Gamma Rays On Man In the Moon Marigolds" (1972), an offbeat but affecting film that was the only time Newman would direct both his wife and daughter. The movie itself and the discussion which followed will remain in my memory always.
That night, my wife and I foolishly trusted the Merritt Parkway, and found ourselves crawling as we headed towards a dinner with one of my screen idols. Maddeningly, we were over half an hour late, but were warmly welcomed into their group. I remember distinctly that Paul was wearing both reading glasses and a black leather motorcycle jacket with patches, which would have looked incongruous on anyone else but him. I also remember him standing up and walking around the table, offering everyone a piece of carrot cake. Cleary he was not your typical star, nor your typical human being.
Paul Leonard Newman grew up in Ohio, and came east after college to attend Yale Drama School. He further developed his talent in New York at the fabled Actors' Studio, and pursued television roles. His first movie part, in 1954's "The Silver Chalice", so embarrassed him that he took out an ad in a Hollywood newspaper apologizing to audiences. He was already an original.
Listed below are ten of my favorite Newman titles. Robert Wise's absorbing biopic profiling the rise of boxer Rocky Graziano, "Somebody Up There Likes Me" (1956), would also make the list if it were only on DVD.
We are immensely grateful for your time among us, Paul Newman. It's curiously frustrating that all we can do is thank you for all you've given us (and many others less fortunate), both through your films, but just as important, in the way you chose to live your life. There's no doubt that somebody up there will certainly like you.

Butch Cassidy and the Sundance Kid (1969)

War/Westerns/Family. Witty/Fast-paced.
Color. 110 mins. Rated PG. Directed By George Roy Hill. Starring Paul Newman, Robert Redford and Katherine Ross.
At the close of the 1960s, Newman and up-and-comer Robert Redford would make the first of two hugely popular collaborations with director George Roy Hill. So much more than a western, "Butch" romanticizes the true story of the infamous "Hole In The Wall" gang, creating the ultimate buddy picture, and (thanks to William Goldman's brilliant screenplay), a movie that's by turns lyrical, tragic, witty, and enormously human. The film would make Redford a star, but at age eleven, for me there was no contest: my hero was definitely Butch. (We just re-screened this title outdoors under the stars, and let me assure you, it doesn't get old.)
 

Cat on a Hot Tin Roof (1958)

Drama. Intense.
Color. 108 mins. Rated Unrated. Directed By Richard Brooks. Starring Paul Newman and Elizabeth Taylor.
Based on Tennesee Williams's play, this powerful depiction of a dynastic southern family crumbling from within is distinguished by director/writer Brooks's sure hand, and a first-rate cast, including Elizabeth Taylor, Burl Ives, Jack Carson, and Judith Anderson. Newman's Brick is a cauldron of sullen anger dulled with alcohol, and watching him this time, I glimpsed the hallmark of a great actor: not just expert acting, but reacting, in such a way that all eyes stay on him, even with Liz Taylor sharing the frame and spouting most of the dialogue, clad in just a slip.
 

Cool Hand Luke (1967)

Drama. Moving/Intense.
Color. 127 mins. Rated Unrated. Directed By Stuart Rosenberg. Starring Paul Newman and George Kennedy.
Clearly Paul Newman was attracted to the dispossessed, in life and in film. This movie may have grossed less than some of his later work, but it stands today as one of the top modern film classics, transforming Newman from movie star to folk hero. His Luke is two things at once: a loser in life whose drunkenness lands him on a chain gang, but also a steely individualist equipped with enormous personal courage and a righteously defiant spirit. Both George Kennedy and Strother Martin lend memorable support, with Kennedy netting an Oscar.
 

Hud (1963)

Drama. Intense/Scenic.
Black & White. 112 mins. Rated Unrated. Directed By Martin Ritt. Starring Paul Newman, Melvyn Douglas and Patricia Neal.
Martin Ritt's "Hud" concerns an unfulfilled, resentful modern cowboy, and his uneasy relationships with a distant, steely father ( Oscar-winner Melvyn Douglas), a sexy but weathered housekeeper (Oscar winner Patricia Neal), and an impressionable nephew (Brandon de Wilde). Hud is an arrested adolescent in a man's body, and beyond the fact that all the acting is uniformly excellent, Newman's ability to inject pathos and magnetism into this thoroughly unsympathetic title character is particularly striking. "Hud" remains a stand-out on the actor's career.
 

Slap Shot (1977)

Comedy/Action/Adventure. Fast-paced/Witty.
Color. 123 mins. Rated R. Directed By George Roy Hill. Starring Paul Newman, Michael Ontkean, Strother Martin, Jennifer Warren and Lindsey Crouse.
Newman reunites with director Hill in this film about an aging, cynical Reggie Dunlop (Newman), player/coach of the Chiefs, a losing minor league hockey franchise. The team's fortunes revive only when Dunlop resolves to play dirty. The arrival of a trio of infantile Neanderthals from up north helps propel this new strategy to hilarious effect. But soon Reggie suffers a crisis of conscience: is this the way to play hockey? This wildly profane film is not only entertaining, but Newman's Reggie injects some real poignancy. He's a perennial rogue, but hardly a responsible adult, evidenced by a failed marriage to Francine (Jennifer Warren), for whom he still carries a torch. Veteran character actor Strother Martin makes the perfect weasel as smarmy team manager Joe McGrath, and Andrew Duncan is memorable as a radio announcer with the worst toupee on the planet.
 

Sweet Bird of Youth (1962)

Drama. Intense.
Color. 120 mins. Rated R. Directed By Richard Brooks. Starring Paul Newman and Geraldine Page.
Reunited with "Cat on a Hot Tin Roof" writer Tennessee Williams and director Richard Brooks, Paul plays hustler Chance Wayne, who returns to his small Southern hometown with an aging, alcoholic Hollywood icon, Alexandra Del Lago (Geraldine Page), whom he's seduced in hopes of a screen test. Chance longs to see his former sweetheart, Heavenly (Shirley Knight), but is thwarted by her father, corrupt politician "Boss" Finley (Ed Begley), and loutish son Tom Jr. (Rip Torn), who are determined to run Chance out of town. Newman is virile and intense as loner-loser Chance, while Oscar-winner Begley and Torn each turn in searing performances as Knight's vengeful male kin. The other true star of the film is Page, a real-life fading beauty whose boozy, down-and-out Alexandra epitomizes the kind of exaggerated egomania Williams set out to skewer.
 

The Hustler (1961)

Drama. Intense/Moving.
Black & White. 135 mins. Rated Unrated. Directed By Robert Rossen. Starring Paul Newman and Jackie Gleason.
This gritty, atmospheric picture about the world of high stakes pool features Newman as "Fast Eddie" Felson who may be a young virtuoso with a pool cue, but his maturity hasn't caught up with his skill. Eddie meets his match, and learns some hard lessons in pool and life, from Minnesota Fats, played to cool perfection by the late, great Jackie Gleason. George C. Scott also stands out as a ruthless promoter, and Piper Laurie does a sad, sensitive turn as a lonely woman on the fringes who falls under Eddie's spell. ( Years later, after countless Best Actor nominations-and one for Best Picture- 1969's "Rachel, Rachel", Newman would finally win his statuette for the 1986 sequel to this film, Martin Scorsese's "The Color Of Money").
 

The Sting (1973)

Action/Adventure/Comedy. Scenic/Tuneful/Fast-paced/Witty.
Color. 130 mins. Rated PG. Directed By George Roy Hill. Starring Robert Shaw, Paul Newman and Robert Redford.
The Newman-Redford-Hill team struck gold again with this irresistible picture set in the Depression, about a group of con men setting out to swindle a crime king-pin who's knocked off one of their own. As ring-leader Henry Gondorf, Newman wisely builds on his wry, even jovial Butch character to continue softening his more intense younger persona. Redford again makes a terrific sidekick, and Robert Shaw is savagely despicable as the mark; we can't wait to see the "big con" perpetrated on him. "The Sting" went on to win the Academy Award for Best Picture.
 

The Verdict (1982)

Drama. Intense.
Color. 128 mins. Rated R. Directed By Sidney Lumet. Starring Paul Newman, James Mason and Charlotte Rampling.
As Frank Galvin, a washed-up, alcoholic lawyer, Newman shows a rare vulnerability as a man struggling to redeem himself before it's too late. This won't come easily, as the case he lands appears impossible to win, given his own tenuous condition, and the array of legal forces amassed against him. This film represents both courtroom and human drama at its very finest, and veteran player Jack Warden is superb as Galvin's only colleague and friend. This entry contains one of Newman's very finest performances.
 

Spotlight

• October 25th, John introduces "The Longest Yard" at a private club in Skillman, New Jersey
• October 29th, John lectures on "The Divine Escape: The Great Depression and Hollywood's Golden Era," sponsored by Wachovia , New York City